Monday, May 13, 2024

2024 Summer Movie Season - Kingdom of The Planet of The Apes: Review & Analysis

 

The New Age!!!! The latest Planet of The Apes Film Builds off What Came Before While Forging an Intriguing Path All Its Own!!!! 

Review By Brandon Porter

















A kingdom is on the rise



Story Description


300 years after the planet-altering release of ALZ-113, the title of dominant species on earth has dramatically shifted to the apes while reverting humans to a primal state. During the time between the fall of Simien liberator Caesar and modern times, history is preserved and altered. A young hunter named Noa (Owen Teague) is torn between what he has been taught and what is actual fact as he is eager to learn more about a world he still has yet to understand the whole history of. When a feral young woman named Mae (Freya Allan), who has the shocking ability to speak, appears to Noa and his mentor Raka (Peter Macon) looking for asylum from bounty hunters under the command of a distant tyrannical dictator named Proximus Ceasar (Kevin Durand), Noa’s whole world view gets put in a tailspin. Now torn between his moral compass and loyalty to those like him, Noa must make a drastic decision that will define his future and the course of his world moving forward. 




Noa, Raka, and Mae confront the trials ahead of them


Film Review

Kingdom of The Planet of The Apes sees the continuation of this newly changed world through the eyes of new characters as they grapple with the legacy of a fallen hero 3 centuries prior. Maze Runner director Wes Ball leads the next generation in one of the year's must-see event films. After experiencing the newest chapter of the franchise, Kingdom of The Planet of The Apes continues the momentum of its 2010 predecessors while forging an intriguing story trajectory in its own right. The rebooted Planet of The Apes series, which began in 2011, reinvigorated the 50+-year-old franchise with its stellar performance capture technology, serious and grounded tone, and unforgettable characters. Kingdom of The Planet of The Apes builds on that by crafting a story that respects what came before while also setting the stage for some intriguing conflicts in this new section of the timeline. For starters, the movie's visuals are on point. Ball really captures the essence of this world in both the production design and visuals. His eye for detail shines through in both the cinematography and the vastness of each set piece. Everything we see on the screen tells us so much about what has transpired in between eras. However, it doesn't just come through in the locals. The characters themselves bring life to the world as well. That is a great segway into our performances. Owen Teague is rock solid as our lead protagonist Noa. It is a gargantuan order to follow the iconic shoes of Andy Serkis' Caesar. But Noa still manages to be a great character to follow. Teague captures the youthful essence of Noa as well as the conflict within him regarding how he should navigate a world that has opened up for him in a variety of ways. It will interesting to see how he advances in the ongoing narrative and how his arc will transform him moving forward. The same can be said for Freya Allen's Mae. I have to say, I came out feeling different about her than I originally thought I would. I saw her as someone of importance to the plot which she was. What I was not expecting was for her to come with such complexity near the story's end. All my assumptions about who she was were flipped on their head and in turn, she has now become an intriguing wild card regarding her relationship to the apes and her obligation to her own "clan". I look forward to seeing how her decisions and her relationships with the characters around her evolve or devolve as this arc progresses. 



A violent and mad king



The supporting cast was equally engaging with several standouts including Peter Macon's Raka offering a great balance of mentoring and humor and a fun antagonistic performance from Kevin Durand as Proximus Caesar. Durand chews up the scenery delivering a great balance of camp and menace. He was an effective villain despite his limited time on screen. Another of film's strengths is the large-scale world-building it does. The 2010 trilogy relatively took place in the Bay Area. This time, it feels like the world has truly opened up and offers us a chance to really see the extent of the world. Seeing new clans, cultures, and characters flesh out the identity of not just this new section of the timeline but the mindset of the characters within it. The thematic echoes of the previous trilogy are still felt with old familiar patterns resurfacing but with new story possibilities at the forefront. Kingdom sets up a story trajectory that is hard to predict but the directions it could go make for an exciting road ahead. All in all, Kingdom of The Planet of The Apes is a terrific follow-up to the 2010 trilogy. It creates an endless plethora of story possibilities that can drastically shape what comes next. It's an exciting prospect to consider when you're talking about a series that has somehow successfully reinvented itself in this new age of filmmaking and made this cinematic world established in 1968 a worthy investment both narratively and emotionally.  


Rating and Final Thoughts

An exciting chapter in the reinvigorated sci-fi saga. A worthy installment in the series
that builds off the momentum of the 2010 predecessors and creates exciting 
narrative possibilities moving forward.



A new era has begun for the apes. How will the planet evolve?


Monday, May 6, 2024

2024 Summer Movie Season - The Fall Guy: Review & Analysis


 Picturesque!!!! Ryan Gosling and Emily Blunt Action Comedy Is The Total Summer Movie Package & Earnest Love Letter To The Unsung Heroes of The Industry!!! 

Review By Brandon Porter


























Somebody call for a stunt guy.


Story Description


When it comes to the best of the best in the stuntman industry, no one is more reliable or hard-working than Colt Seavers (Ryan Gosling). For years, he’s constantly put his body on the line to help get the perfect shot without ever getting the recognition he deserves. His daredevil escapades and light-hearted charm make him a constant favorite amongst directors in the industry including his crush and former flame director Jody Moreno (Emily Blunt). One day without warning, the star of Moreno’s upcoming film has mysteriously gone missing and top brass has, for reasons unknown, recruited Colt to find him and make sure he’s available and doesn’t cause Moreno’s potentially career-defining project to go up in flames. Upon digging deeper, Seavers discovers the forces at play here are more serious and dangerous than he thought. Now on the run from gangsters and assassins aiming to keep him silent by any means, Seavers must rely on his wit and his years of death-defying stunt mastery to solve the mystery at hand while trying not to die for real in the process.






Colt and Jody share a special chemistry off the set.




Film Review


Director David Leitch and Ryan Gosling prepare to kick off the summer season with an action blockbuster that puts one in-over-his-head stuntman in one of the most daring stunts ever. Only this time..it’s all real. A talented ensemble that also features the talents of Emily Blunt, Aaron Taylor Johnson, and Winston Duke is looking to kickstart an SMS that will have its share of challenges due to a previous summer that shook the industry to its core. After experiencing the chaos of this action comedy, The Fall Guy is everything you want in a summer movie but offers so much more as well. Knowing his background as a stunt coordinator, it is very apparent that David Leitch took a very personal approach when crafting this movie. On the surface, it is a fun and fast-paced romantic action comedy with a ton of heart. Underneath it all however is a heartfelt love letter to blockbuster filmmaking and the people who sacrifice so much to make iconic moments with little to no recognition. We'll dive deeper into the nuances and at times pointed in narrative commentary later in the review but for now let's give some props to the cast for there is plenty of praise to go around. Ryan Gosling is fantastic as our lead Colt Seavers as he continues to show why he is one of the most versatile actors in the industry today. Gosling has this incredible ability to adapt to whatever thematic situation he is in and keep the audience engaged. Seavers is incredibly likable and easy to root for thanks to his quick-witted charm and self-deprecation. He brings such life to the character in addition to some heartfelt vulnerability that makes him more than just some expandable stunt guy. This film should show that Gosling is one of the top-tier performers working today. Emily Blunt is equally great alongside Gosling as Jody. Blunt matches Gosling in terms of quick-witted humor and the chemistry they share makes for some fun moments that are genuine and heartfelt through and through. Jody is also easy to root for thanks to Blunt's ability to have her be passionate and vulnerable without it coming off as arrogant or standoffish. You want her to succeed just as much as Colt and it makes their love story all the more engaging as a result. A few other standouts also make the movie an absolute blast. Winston Duke once again steals every scene he's in as he makes the most of the time he has on screen. Aaron Taylor-Johnson and Hannah Waddingham are despicably entertaining as the sleazy antagonist duo of Tom Ryder and Gail. They are a great pair that really highlights the callous nature of the industry and how cruel people can be to those who they think are expendable.





So who's the real star of this show?



This brings me to one of The Fall Guy's most surprisingly profound aspects. The film has an unsubtle inner message about the blockbuster filmmaking industry and the people who sacrifice so much to make the things we love. Every person on a film set is vital to the success of a project. Unfortunately, there are times when individuals, such as higher-ups and even the stars of the movies themselves, believe that certain people who contribute to these films are expandable or replaceable altogether. The film uses that as a plot device to structure a story that is engaging but also incredibly pointed as well. It also couldn't have come at a more convenient time knowing that we are only several months removed from a recent writer and actors strike for the very issues addressed in the movie. It's an aspect of the film that I believe will spark conversation and bring necessary awareness to so many aspects of the filmmaking process that get overlooked or taken for granted. Going back to the film itself, it was so much fun from start to finish. If you're looking for a summer movie that has pretty much everything you would want, The Fall Guy has you covered. The action is fast-paced and well-choreographed which is unsurprising given who is in charge, the writing and humor is well paced and well-balanced, it has a ton of heart, and the romance is genuine. For a movie that has so much going on, it does so many things right in an effective way. Overall, The Fall Guy is a movie that really hits all the marks of what you want in a summer cinema experience. It has something for everyone while also highlighting aspects of the craft that at times get overlooked. With an industry that is still licking the wounds of its recent labor strikes, who knew a silly action comedy about a stunt guy would be a strong reminder of why the human aspect is vital to making any film feel authentic. 


Rating and Final Thoughts


Filled with fast action, wit, heart, and humor,
 The Fall Guy is a highly entertaining Swiss army knife of a
summer flick that is a treat for anyone who loves the movie making 
experience and the people who bring it to life.





Would you call that a successful shoot?


Thursday, May 2, 2024

Re-Porter Blog: Summer Movie Season Special Report




 

Last year at the movies was an eventful one, to say the least. Sporting one of the most stacked lineups of the 2020s, fans had plenty to be excited about. But looking back, it is clear while there was much to celebrate, there is plenty to be concerned about. For every triumph that came with some genuine fanfare, the industry came out limping as recent events have put the state of things in flux. From below-average box office returns to the ongoing industry strikes, 2023 ended up with so much concerning baggage that drastically impacted this year and the ones following it. In this post, I want to give a retrospective on last year’s film releases, the reaction of the industry and pop culture in general, and how it has reshaped my relationship with the industry and those who claim to be its sacred gatekeepers. 


The release of Barbie and Oppenheimer
 was truly the last time that the box
office saw any significant returns.
Let me start this off on a positive note by saying that last year’s SMS was a whirlwind of fun movies from beginning to end. The sheer bevy of content was immense and kept me going to the cinema in some cases every week. It was great to always have something to look forward to at the movies. From seeing the final installment of the Guardians of The Galaxy series to the long-awaited return to the Spider-Verse, summer was a great time to be a cinephile. The pure joy I felt knowing that every week was a new adventure to get lost in on screen is why I love movies so much. However, after the Barenheimer phenomenon, things took a sinister turn, to say the least. The SAG/AFTRA strike just months after the WGA strike effectively shut down the entire industry in a shockwave in Hollywood not felt since the COVID pandemic. Productions were put on indefinite hiatus and a multitude of potential box office juggernauts were removed or pushed back 1 or 2 years. Some of those films were just released this year and will be released during this year's summer movie season. This hit several studios rather hard because, without the marketing to boost awareness and anticipation, a lot of films suffered greatly at the box office regardless of their quality. Superhero films like Blue Beetle or The Marvels became instant afterthoughts soon after release with word of mouth almost non-existent. The lack of a studio presence at SDCC can be looked at as a key culprit in a lot of pop culture movies never really gaining traction. The reliance on that community showing up really put those types of films in financial jeopardy. 




Once a hallmark of Hollywood film marketing, the strikes 
left SDCC a shell of its former self with some of the big-time
studios pulling out due to the inability to market upcoming 
releases

Needless to say, it was a trying time for the industry and those that followed it. So many "industry experts" and content creators voiced their opinions about the situation. Some gave genuine criticism to the industry and supported the WGA/SAG-AFTRA members. Others took this as an opportunity to blatantly spread misinformation and put all their exhaustive emotional baggage online in an attempt to rile people up and sow discourse. For me, it was incredibly tiring seeing these types of people create such a hostile environment. The Marvel fandom became a real pain to deal with as the levels of entitlement and hostility reached a level I haven't seen since Star Wars fans post-Rise of Skywalker. It seemed like the studio couldn't do anything right with so many demonizing things being said about actors, directors, producers, and writers. While I believe the franchise is experiencing some growing pains Post-Endgame, I still don't think the amount of backlash is warranted, especially given that so many fans are asking for something impossible to replicate. The strikes made it very hard for me to continue to want to be affiliated with pop culture fandom. I supported both strikes 100% but what I didn't support was the prospect of a collection of people just being downright despicable in how they react to things they don't like and go out of their way to damage the self-esteem of others who don't share their viewpoints. It made for some very exhausting periods of stress and frustration that really had me questioning if the idea of fandom was actually worth it. 



Despite the strikes ending, the fight continues as
so many strive for better pay and representation 
amongst the rise of AI-generated content
All that aside, my support for actors and writers in the industry is still strong. As someone who is an advocate for equal pay in Hollywood, I would call myself an extreme hypocrite if I championed actors' and writers' mental health yet in the same vein told them they should take less money than they deserve. With the rise of AI, I am even more motivated to advocate for human creators and performers for it is through them that we get content that is for lack of a better word..."human". In no way will I advertise or even entertain the idea of AI being a tool for creativity because I have a strong desire to have something that feels real. I advise anyone who truly supports the creative side of entertainment to advocate for non-AI-generated art. Some of the best work comes from a real place of emotion and realness. The more we put that at the forefront, the better the industry becomes as a whole. 



Despite all of the baggage from last year's strikes, I am still on fire for what the industry has to offer moving forward. Hopefully, studios take the lessons of these strikes and course-correct in terms of respecting those who bring the content they finance to life. Both parties are essential to creating things that truly matter. Writers give characters their voices but actors give characters their souls. Without them, what do you have? If you take nothing else from this post, I hope you come away with an understanding that you shouldn't take these industry contributors for granted. It is through them that these forms of fiction feel real. 

Wednesday, May 1, 2024

Re-Porter Blog 2024 Summer Movie Season - May Preview

 


Hello followers. We are just a few days away from the start of SMS 2024 so it's about time we look ahead to what's in store for us this year starting with what is on the docket in May. As you may notice, the May lineup is slightly different this year. The obvious reason is that Marvel isn’t here to kick things off on May 3rd. That said, the May lineup will have no shortage of great films to see. You'll find something for just about everyone, from action thrillers to heartfelt dramas. Let's get acquainted with the films in Month 1 in our May preview.



The Fall Guy (Universal Pictures, May 3rd)


Check The Gate

The film industry can be a cutthroat business. It can be especially for those who are seen as expendable simply because they aren’t seen on screen. But sometimes the people behind the scenes are the most important in tough situations… even if those situations involve gangsters, assassins, and common criminals. From Director David Leitch, Ryan Gosling stars as a stuntman whose life is about to take a chaotic turn when he is forced to be front and center in the action. Only this time, it’s real. You’re going to want to get all of this on camera when The Fall Guy arrives in cinemas this Friday. 





Latest Trailer






Kingdom of The Planet of The Apes
 (20th Century Studios, May 10th)



Kingdom On The Rise

Throughout every generation, the youth look to the elders for guidance and inspiration on how to move forward. But over time, the lust for power and control can cause the teachings to be muddled and twisted. What happens when the youth catch on and search for answers that put into question everything they know? From Maze Runner director Wes Ball, 20th Century Studios takes you back to a planet of apes 300 years after the passing of Caesar. A new era is on the horizon when Kingdom of The Planet of the Apes arrives on May 10th.





Latest Trailer









IF Imaginary Friends
 (Paramount Studios, May 17th)




Imagination Station

A child’s imagination is a powerful thing. There is no limit to the worlds or people they create. But what happens when these imaginary friends have no place to go once their young creators outgrow them? John Krasinski invites you on an adventure in an attempt to reconnect kids with their inner child. Reconnect with a long-lost friend when IF arrives in theaters on May 17th. 





Latest Trailer








Furiosa: A Mad Max Saga
 (Warner Bros. Pictures, May 24th)


Her Odyssey

Before she was the legendary warrior who liberated her people from the tyrannical Immortan Joe, she was a young orphan taken from her home and forced to do the desert dictator’s bidding. But over time, she established herself as a formidable fighter and became a symbol of admiration and fear with one goal in mind…freedom. Witness the origin story of one of Mad Max’s most iconic characters. You will know her name when Furiosa: A Mad Max Saga revs into theaters this Memorial Day weekend. 





Latest Trailer







Young Woman and The Sea
 (Walt Disney Studios, May 31st)


Making Waves

History has its share of legends. But few have defied expectations and shattered barriers like Gertrude "Trudy" Ederle, a competitive swimmer who pulled off the once thought-impossible task of swimming across the English Channel. Through sheer will and determination, Ederle changed the course of competitive swimming forever. Based on the autobiographical book from Glenn Stout, Daisy Ridley stars as Gertrude Ederle in the must-see inspirational drama of the summer. An American legend hits the waves when Young Woman and The Sea swims into cinemas on May 31st. 




Latest Trailer





A fun start to the season is here as we prepare for another wonderful time at the cinemas. Look for these films as well as their reviews for this month. Be sure to come back tomorrow for a special report and retrospective on the events that rocked Hollywood last summer. 



Tuesday, April 30, 2024

Re-Porter Blog 2024 Summer Movie Season Preview

 




Long time no see followers. We are nearly halfway through 2024 so you know what that means. The best time of the year for cinephiles is back again. It is a time of excitement but also one of reflection as well. I would be remiss if I failed to mention the circumstances that have transpired since last year’s season such as the SAG/AFTRA strike and the writer's strikeEspecially because the aftermath has left this year’s summer movie season drastically different than it was originally. Despite all of that, there are still plenty of things to get excited about as we head into this year’s SMS. Let’s go over all of it in this year’s latest summer movie season preview. 





The kick-off of SMS 2024 sees things dramatically different from year’s past with Marvel Studios not headlining week one (more on that later). That does not mean that May won’t deliver a strong opening. Ryan Gosling rides his momentum from Barbie into the starring role of a stuntman in way over his head in The Fall Guy. Shortly after, we witness the next chapter in the rebooted Planet of The Apes series which features new characters and a new timeline 3 centuries after the fall of Ceasar. In mid-May, John Krasinski and Ryan Reynolds are on the job to save your childhood in IF. Closing out the month are stories featuring extraordinary women. Memorial Day weekend sees the origin of the legendary character from Mad Max Fury Road in Furiosa A Mad Max Saga. Then, Daisy Ridley steps into the suit as the courageous woman who defied expectations in The Young Woman and The Sea.








June will see things escalate as the season begins to find its rhythm. June 7 sees Mike and Marcus go from Miami’s finest to Miami’s most wanted in Bad Boys 4 Ride or Die. On June 14th, the emotions of joy, anger, disgust, fear, and sadness must contend with some unexpected new residents in the highly anticipated Inside Out 2. Afterward, June concludes with us going back to the beginning of the event that changed our planet and drove us into an era of silence in A Quiet Place Day One.








July will have no shortage of fireworks and after hearing this you’ll know why. July 4th weekend sees the return of Gru and family in Despicable Me 4. Afterwards, Scarlett Johansson and Channing Tatum try to pull of the ultimate intergalactic con job in Fly Me To The Moon. On July 19th, crank up Dorothy and hold on for your life as we brave the elements in Twisters. Finally, as I mentioned previously, Marvel Studios typically kicks off the season in the first week of May but that isn’t the case this year. It should also be noted that this Marvel Studios theatrical release is the only one for 2024. But rest assured, this one is special. July 26th will see the Merc with a Mouth return to cinemas but this time he’s brought a friend with him who is eager to bring a jolt of chaotic energy into the Marvel Cinematic Universe in one of the year’s most anticipated event films. 












Finally, things come to a close in August heading into September with some intensely exciting films headlined. With video game adaptations seeing an uptick, Lionsgate looks to ride the wave and release the onscreen action adventure based on the 2K franchise Borderlands. Not long after, terror returns to the cold vastness of space in the latest edition to Ridley Scott’s bone-chilling sci-fi horror franchise Alien RomulusClosing out this season will be the return of the show-stopping ghost with the most in the anticipated follow-up to the 1980s film Beetlejuice






Despite the changes from years past, it can’t be denied that this season will still offer thrills and excitement over the next several months. I hope you were excited to be back as much as I am. Check back tomorrow as we break down the films releasing in May as well as going more in-depth on how this summer movie season differs from the rest thanks to the industry-changing events of last year. A new summer at the cinema is upon us. I hope you’re ready. 




Thursday, April 4, 2024

Re-Porter Blog: Captain America The Winter Soldier 10th Anniversary

 




Some moments define your place in history books in more ways than one. It could be a speech, an act of service, or simply standing for something bigger than yourself. But sometimes, the people or the cause you fight for may not be as "patriotic" as they appear. The question is: What part will you play in the reshaping of the new world as someone from the old one? On this day 10 years ago, Marvel Studios released the 9th entry in the MCU and I don't think it can be understated how vital this film was to the franchise at the time. Billed as a high-stakes political thriller,  there is no denying that for many fans Captain America: The Winter Solider is one of the MCU's greatest entries. For me, I regard this film as my #1 favorite MCU film, my favorite superhero movie, and one of my favorite films of all time. Needless to say, I LOVE THIS MOVIE!!! There are so many elements at play that make this film work on multiple levels. I can't stress enough how well-executed every aspect of this film is. From its characters, impeccable pacing, jaw-dropping action set pieces and fight choreography, top-tier writing, and one of the most game-changing twists in the history of the MCU, the movie was instrumental in turning me into a die-hard Marvel fan. In this post, I wanted to effectively give this movie its flowers and simply celebrate a film that was so influential to me in various ways.



After Steve Rodgers' MCU debut in 2011's Captain America: The First Avenger and his role in 2012's The Avengers, the announcement of a second standalone Captain America film raised the question: How do we make a character like Steve Rodgers complex and nuanced despite his boy scout aura? This was a challenge that directors Anthony and Joe Russo took to heart when they signed on. It was amazing that their first foray into the MCU left such an impact on the franchise left such an incredible mark. The Russo bros had an understanding of what made Captain America so great and they could take someone with his ideals and how to construct his arc as he constantly grips being a man out of time. It creates an interesting arc for Steve. Despite all he put himself through to become the man he is today, all he wanted to do was to serve his country. He never really thought about life after. It's a shadow that hangs over him for the rest of the Infinity saga but it starts right here. Lucky for him, there is someone who is his guide through these feelings both mental and psychological. 


It is hard to find a more perfect introduction to former paratrooper Sam Wilson, portrayed by Anthony Mackie. For me, Sam's introduction is one of my favorites in the MCU just because of the merits of which he is presented. He is completely normal compared to Steve but the 2 of them hit it off instantly thanks to the mutual respect they have for each other. It is incredibly humanizing to see that despite being from 2 different times, they know that the trials of being a soldier are universal and run deep. As a person of color, Sam Wilson's inclusion is just the start of a long list of incredible contributions that the MCU made to bring more representation to mainstream media. Sam became such an integral part of the story and was equally instrumental in helping in the climax. It's no secret he became a fan favorite and is now at the forefront of the MCU's newest phase of worldbuilding. 


While we are on the subject of worldbuilding, what puts this film above so many for me is what it did to the MCU as a whole at the time. It is rare when a film takes everything you think you know about something and flips it in a way where you are in utter disbelief. The reveal of HYDRA being secretly embedded within SHIELD sent shockwaves through me upon viewing. It was one of the greatest twists I have ever seen on film. I was already on edge thanks to the sense of unease and tension following the "assassination" of Nick Fury, but the twist added an extra layer of high stakes and tragedy to the narrative that truly made me question how this would affect the MCU moving forward. This twist changed the outlook of a lot of characters including Natasha who saw a reinvigoration of her character that elevated her above the perceived eye candy of the Avengers. She has a newfound conviction and a desire to do what is right when her institution turns out to be corrupt. She and Steve develop a relationship based on trust and mutual respect for one another as they both navigate a world that has turned everything they believe on its head.






 This is a testament to the writing and pacing. There is not a second of this film that is wasted. Every moment builds to this and when the moment happens, you are breathless as you think back to everything and everyone you've seen and how they are now seen in a different light. The perfect example of this is how the film affected another MCU property that was occurring at the same time. Agents of SHIELD, which premiered just 8 months prior, was significantly affected by the events of this movie. The connective tissues that tied in with the movie truly made the experience of watching both back-to-back such a game-changer for me in terms of how I consumed pop culture media. Before Disney +, Agents of SHIELD was the only place I could try and get an MCU fix in between movies. This was such a game changer for me as it caused me to be fully invested in the happenings of the MCU from that point on. To put it bluntly, Agents of SHIELD and Captain America The Winter Soldier were instrumental in turning me into a full-on Marvel fan. After that, anything Marvel put out I was willing to give a chance to. I never experienced anything like this in all my years of consuming pop culture. Even years later, I still point to this as the moment when my love for this Cinematic Universe became locked in. 



Despite all of that, the reason I love this movie so much is simply because...It's an amazing action movie. Its writing, pacing, and character development are all incredible aspects that deserve to be highlighted. But the film is an absolute blast from an action standpoint. The amount of standout set pieces is so well spread out and diverse. They vary in scale but are all expertly shot and choreographed with such precision and frenetic fluidity that is unmatched compared to the other films in Phase 2. Seeing Steve get nasty with it during the Lemurian Star infiltration at the start of the film was such a jarring yet irresistibly fun reintroduction to the character. It made him a more formidable fighter amongst the Avengers and showed he was more than capable of leading in a fight. Another favorite sequence of mine is the elevator scene at SHIELD headquarters. When I tell you this is one of the purest examples of how to perfectly build tension and deliver when the moment arrives to have action transpire. With every new goon comes the realization that something is wrong. It also showcases the emotional intelligence of Cap as he reads the room and understands the situation he is in. But despite the circumstances, Steve is never one to not display manners which leads to the greatest pre-fight line in the MCU.




NO NOTES!!! It is a perfect illustration of Steve's humility but a stern warning of what these men are
about to get themselves into. the rest of the sequence following that line is brutal, claustrophobic, and full-on hilarious, especially the final shot. The Russo's impeccable understanding of characterization and building anticipation and paying it off is one of the reasons why they are amongst the greatest directors to come into the MCU. But if we are going to talk about action, I would be remiss if I didn't mention the amazing fight between The Winter Soldier and Steve. 



This is an exercise in frenetic fluidity. The speed and power of these two characters trading blows is so much fun to watch and is shot in a way that truly captures the intensity of the brawl. The entire sequence is amazing with every aspect of it leaving you on edge. the artistry on display is impeccable with the fight being like a mini roller coaster ride that leaves little opportunity to catch your breath. The sequence ends with the reveal of Bucky being the Winter Soldier adding even more personal stakes to Steve's ongoing arc. It also paints Bucky as a tragic victim and pawn in the game of those he was unlucky enough to encounter. In the end, he takes the first steps in reclaiming his identity that won't be fulfilled until 2021's The Falcon and The Winter Solider. Sebastian Stan plays the character wonderfully and his chemistry with Evans made the emotional toll of the reveal hit harder. This made Bucky Barnes one of the most complex and nuanced characters in the MCU and a bonified fan favorite among many. Full marks for an incredible antagonist.


To say that I adore this film would be an understatement. Even a full decade later, it still never loses its entertainment value or staying power. For me, Captain America The Winter Soldier is one of the most important films in the MCU because of what it did for the franchise as a whole. It made Steve Rodgers a beloved member of the Avengers, introduced an awesome new character in Sam Wilson who is now on pace to be our new Captain America, reinvented Natasha Romanoff, and forever changed the trajectory of the MCU thanks to its game-changing plot. But mostly, I'm grateful for this film for it inspired me to fully invest in the MCU and I've been thankful ever since. People may have their favorites in this cinematic heroverse, but I will always ride with this outstanding superhero flick to the end of the line.  


Saturday, March 9, 2024

Re-Porter Blog: The Porter Report #18

 



Knife of Holy Warfare
 Dune Part 2 & The Dangers of Religious Weaponization 


In trying times, faith can be a powerful thing to hold onto. But it can also be a dangerous double-edged sword. On one hand, it can get you through tribulations that push you to the brink. Contrastingly, it can also make you vulnerable to methods of manipulation by those looking to use your faith to fuel their desires or conquest. Faith is powerful, but how one allows it to influence what one does can be the difference between salvation and destruction. In Dune Part 2, released last week, religious conditioning and manipulation of the masses is a central topic within the narrative as it relates to Paul Atredies’ rise to being the supposed messiah of Arakkis. In this Porter Report, I want to dive deeper into the motivations and tactics of the people around Paul and how they use his potential legend to fuel the fires of liberation and potential galactic disarray. 


Spoilers for the film will follow. You have been warned.



Ever since arriving in Arakkis, Paul Atredies feels his presence has created a shift in the foundation of the planet. The indigenous population of the Fremen sees his presence as the long-awaited arrival of the Lisan al Giab, the prophesied messiah predestined to lead them to the promised land. Though it is merely brushed off as simple religious-based pomp and circumstance, Paul doesn't see how substantial his presence is until he travels with the Fremen to Sietch Tabr. While a good majority see him as nothing more than a spy sent to bring chaos to their home, a substantial amount of of Fremen see him as the Lisan al Giab finally coming to lead them to the promised land. Chief among them is Stilgar. As one of the oldest members of the Fedaykin, Stilgar is heavily convinced that Paul is the messiah that the Fremen have been waiting for. Even going as far as to pass off Paul saying he isn't the Lisan al Giab as mere humbleness and humility in addition to sending him out into the desert for several days alone. While Stilgar and the older members of the Fremen hold strong to this belief, the same cannot be said for the younger generation. 



For Chani and the younger members of the Fremen, they are not as eager to buy into the prophecy as their older counterparts. In fact, they outright reject the idea of a messiah or a prophecy seeing it as a method to maintain psychological control over their people. Chani's concerns lie in making sure that Paul is properly taught the ways of their people so he can survive among them. Paul, who has dismissed the claims of him being who the Fremen think he is, simply wants to fight alongside the Fremen and earn their respect the right way. Over time, he does gain the admiration of his newfound family and is instrumental in them really turning the tide in the fight against House 
Harkonnen. He further cements his status as a true Fremen when he successfully calls a sandworm and rides one. This event does hold significance for both parties of Fremen. The younger generation is thrilled to have a new brother in arms to go to battle with. But for the older generation, it is further cementing Paul as the Lisan al Giab given that the sandworm he called and tamed was a grandfather worm, one of the largest on the planet. It's evident that the religious divide amongst the Fremen is more than just a generational thing. It is centuries of old traditions being challenged by those who believe that their people have been subjected to a form of conditioning and submission meant to keep the Fremen in their place. To better understand this, we have to point the finger at the culprits of this. The Bene Gesserit.

Tasked with "spreading the gospel" across the galaxy, the Bene Gesserit can be seen as the primary source of many of the Fremen's foundational religious practices. The Bene Gesserit are all about control and make it their mission to have a hand in everything. This is one of the reasons they are antagonistic towards Lady Jessica and Paul. Lady Jessica teaching Paul the voice, a power only the Bene Gesserit believe they should possess, was seen as a major betrayal amongst the organization. Paul possessing this power makes him less likely to be controlled thus making him a potential threat to any plans they have laid out. But Paul's ascendency to god status seems to be all part of the plans of one Lady Jessica.



After taking ownership of the title of Reverend Mother, Lady Jessica has made it her mission to keep Paul safe. At least that is what it looks like on the surface. Drinking the water of life gave Jessica (and her unborn daughter Alia) the ability to foresee the future and secure one where they could prosper. But as the old saying goes, old habits die hard. Sticking to her Bene Gesserit programming, she makes it her mission to convince the Fremen that Paul is the Lisan al Giab allowing them to follow him into the fire no matter the cost. Unfortunately, Paul sees this as merely a method of religious conditioning as opposed to her claim of "giving people hope." Paul has addressed in the past that where sees a future where he leads the Fremen (and more specifically Chani) to destruction. It's the very reason he is hesitant to go south for that may be the starting point of this chain reaction of death he fears will transpire. Jessica still plays on the notion that Paul must follow her example and drink the water of life so he can "see" what she sees. After conditioning the younger and easily swayed Fremen of the north, she heads south and fully indoctrinates the entire southern Fremen population into buying into Paul's status as the Messiah. After Paul drinks the water of life and declares himself Lisan al Giab, the pieces are in place for him to truly become the most powerful being in the galaxy. 


Unfortunately, one person who isn't thrilled with the chain of events is Chani who chastises Lady Jessica for further condemning her people to a life of religious servitude under the pretense of a bogus prophecy. Her duty is to the Fremen, not to a messiah born from fabricated stories from power-hungry witches. Chani's overall outlook on the prophecy of the Lisan al Giab can be interpreted in real-life context to actual religions. Whether it's Christianity, Islam, or Buddhism, religion is a powerful thing for people to hold on to for hope and guidance. It can also be used as a method of psychological control and manipulation if in the hands of those with ulterior motives. This goes back to our earliest history as a species. For some people, their beliefs were never our default beliefs. Some were forced upon them against their will by those who wielded great power over them, physically or intellectually, to keep them "chained" and obediently submissive. Chani says it as much at the southern s
ietch: "This prophecy is how they enslave us!!!" 




She can see through the deception and blatant manipulation of those around her and begs her people to think for themselves. While she follows the rest of the Fremen into battle against the Emperor, it is clear that Paul has completely bought into being the messiah figure that has been propagandized among the Fremen and will do whatever is necessary to maintain stability within the imperium. Even going as far as to take Princess Irulan as his "wife". Chani stands firm in her belief that the Fremen are better when fighting for the good of their own as opposed to fighting for a figurehead. Her dedication to her people is evident and she chooses to not be a pawn in the game of those who see her people as manipulable pieces on a board. She leaves behind the Fremen who choose to align with Paul in his campaign against the other houses rejecting the notion she is just another piece in someone else's game.




 
Regardless of the intent of Lady Jessica, Paul has become the lightning rod of an inevitable holy war that will pit him and his followers against the other houses across the cosmos. It's a powerplay that puts Jessica above the other members of the Bene Gesserit and makes Paul the catalyst for a new era. Ironically, Paul's vision of a war in his name has inadvertently come true. The only difference is his hubris has him convinced he has control of the outcome in the end. Only time will tell if the rise of the Lisan al Giab signals the beginning of greener pastures or the start of a bloody galactic culling. A holy reckoning is coming. Who survives judgment will be a journey in itself.